Everyone's Favourite

October 10, 2013  •  1 Comment

At my recent Exhibition "Paris d'Esperance", this image generated the greatest reaction. The post explains why I am gratified that a difficult exercise gave rise to a deep response.

 

Copyrighted Digital Photograph

 

My dilemma

I am never without my camera wherever I go and mostly with a professional lens/body combination and a monopod. In general, I love photographing water, whether still, or in movement, but this was a dreary, wet, uncomfortably damp day. I moaned to  myself the question "But where is the beauty in this unpromising environment?" The voice in my head said "Stop moaning. Go and find it!" I set off, grumbling, and slowly realized that the best opportunity might lie in the fact that everything was so wet. I focussed in on the effects of the water: the sheen on different surfaces, reflections and the dripping, dripping, dripping environment.

Technique

As I became more focussed on the opportunities, rather than the problems, I watched the drips and where they formed and discovered the foot of the statue imaged above. The low light forced a wide aperture, which was excellent from the point of view of the bokeh effect in the background, but, even with the light addition that this offered, there was still a need for a trade off between a fast enough speed to catch the drips and a low enough ISO to maintain image quality. The "loser" in all this was ISO which was 640, higher than I usually like to use for an "art" capture. 

Device: Nikon D800
Lens: 60mm prime f2,8
Focal Length: 60mm
Focus Mode: AF-C
AF-Area Mode: Single
Aperture: f/4
Shutter Speed: 1/2500s
Exposure Mode: Aperture Priority
Exposure Comp.: 0EV
Metering: Matrix
ISO Sensitivity: 640
Mounted on  a Monopod
 
 
 
The Aesthetic
 
All that said, I was myself captivated by what I as seeing. I felt compassion for the cold, wet person I was viewing, even if it was actually a statue. I loved the turn of the toe and the texture of the "skin". I was engrossed in waiting for each drop to form and to fall, trying to capture an aesthetic that pleased me. I was unconscious of the wind and the rain and the cold. I"saw" the image in black and white from the beginning, even though capture was in colour. It was the only way to respect the beauty of the grayness and the twilight conditions. I went home happy to have been privileged with a moment of beauty in a day that would have been depressing, given other eyes and another spirit. 
 
Copyright Paul Grayson 2013

Comments

Eric(non-registered)
Merci Paul pour cette image et le texte très intéressant qui l'accompagne : une leçon de photographie.
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